'adorável pecadora.

- afinal, todo paraíso precisa de um pouco de inferno.

"Eu gostaria de lhe agradecer pelas inúmeras vezes que você me enxergou melhor do que eu sou. Pela sua capacidade de me olhar devagar, já que nessa vida muita gente já me olhou depressa demais."
Padre Fábio de Melo (via relicariodemim)

(via beijoabstrato)

— 2 months ago with 5640 notes
bohemea:

Jean Paul Gaultier Haute Couture Fall/Winter 2005

bohemea:

Jean Paul Gaultier Haute Couture Fall/Winter 2005

(via suicideblonde)

— 2 months ago with 409 notes
suicideblonde:

Portrait of Empress Eugénie Surrounded by Her Maids of Honor (1855) by Franz Xaver Winterhalter

suicideblonde:

Portrait of Empress Eugénie Surrounded by Her Maids of Honor (1855) by Franz Xaver Winterhalter

— 2 months ago with 217 notes
suicideblonde:

Maisie Williams and Sophie Turner at the DVD launch of Game Of Thrones in London, February 29th
Aged 14 and 16, respectively.  I guess they’re acting out because they had to watch their dad get his head chopped off? 

suicideblonde:

Maisie Williams and Sophie Turner at the DVD launch of Game Of Thrones in London, February 29th

Aged 14 and 16, respectively.  I guess they’re acting out because they had to watch their dad get his head chopped off? 

— 2 months ago with 240 notes
suicideblonde:

After the Ball (1874) by Alfred StevensOil on canvas 37 3/4 x 27 1/8 in. 

This painting, also known as “Confidence,” is one of several by Stevens to treat the theme of consolation. As in his other works from the 1870s, here the anecdotal content of a letter containing distressing news asserts itself in a glimpse of the life of fashionable Parisian women in their elegant interiors. Stevens’s subject matter and his meticulous attention to contemporary dress and decor elicited analogies to seventeenth-century Dutch and Flemish art; in fact, one critic called him the Gerard ter Borch of France.

suicideblonde:

After the Ball (1874) by Alfred Stevens
Oil on canvas 37 3/4 x 27 1/8 in. 

This painting, also known as “Confidence,” is one of several by Stevens to treat the theme of consolation. As in his other works from the 1870s, here the anecdotal content of a letter containing distressing news asserts itself in a glimpse of the life of fashionable Parisian women in their elegant interiors. Stevens’s subject matter and his meticulous attention to contemporary dress and decor elicited analogies to seventeenth-century Dutch and Flemish art; in fact, one critic called him the Gerard ter Borch of France.

— 2 months ago with 301 notes